simulacrum

英 [ˌsɪmjuˈleɪkrəm]

美 [ˌsɪmjuˈleɪkrəm]

n.  假象; 模拟物; 幻影

BNC.43430 / COCA.25529

牛津词典

noun

• 假象；模拟物；幻影
  something that looks like sb/sth else or that is made to look like sb/sth else

英英释义

noun

• a representation of a person (especially in the form of sculpture)
  1. the coin bears an effigy of Lincoln
  2. the emperor's tomb had his image carved in stone
  Synonym:effigyimage
• an insubstantial or vague semblance

双语例句

• Chapter two mainly explores the consumer society and its modernity under the context of theory of simulacrum, including the new understanding of the consumer society and reflections of modernity from the perspective of the theory of simulacrum.
  第二章重点探讨仿像理论视野中的消费社会与现代性，这包括仿像理论对消费社会新的认识以及对现代性的反思。
• These characters in the novel are blind to reality merely pursuing their selfhood in a simulacrum order.
  小说中的人物对现实视而不见，而是在拟像秩序中寻找自我。
• From this point of view, simulacrum is also a theory with modernity.
  仿像理论是一种历史观，是理解当下发生的历史理论，从这个意义上说，仿像也是一种现代性理论。
• As a simulacrum of the country revolution, Zhou li-bo's novel, the tempest, connotates interactive ideology elements, which indicate complicated discourse pattern in three aspects: the society, the people, and social psychology.
  摘要作为乡村革命的仿像，《暴风骤雨》的文本深层隐含着相互作用的多种意识形态因素，使文本在社会重构、“新人”的重塑、社会心理重组等层面呈现出复杂的话语形态。
• Facing the era of the hyperactive visual culture, the globalization desire of the image consumption becomes the most significant narrative agent in contemporary China. The re-exploration and re-analysis of Simulacrum China indicates the coming-soon turning point of the cultural study.
  面对着一个视觉文化过度活跃的时代，视觉消费的全球化欲望成为当下最重要的中国叙事动因，对拟像中国的再探索与解析，预示了文化研究转折点的来临。
• Simulacrum becomes commoner and commoner as a novel creation technics.
  仿像作为一种小说写作工艺越来越常见。
• The Basic Approaches of the Informatics Research Paradigm Shift in the Simulacrum Era
  拟像时代情报学范式转换的基本路径
• Literary reception activities shift from one emotion to emotion encoding, during which reception imagination is confined to some extent and the ideology simulacrum brought dominates the reception activities.
  文学接受活动由一种情感活动转向了视觉编码，在这个过程中的接受想象在一定程度上被限定，拟像带来的意识形态控制主导了接受活动，接受由理性思维变为一种感性直觉。
• Television image has become independent from film image gradually, and with the media technology development constantly enriches the connotation of the concept, it includes images in electronic technology period, simulacrum of digital technology phase, video with the combination of television and Internet technology.
  电视图像是从电影图像逐步走向独立，并随着媒介技术发展不断丰富其内涵的概念，它包括：电子技术时期的影像；数字技术阶段的拟像；电视与网络技术结合后的视像。
• That which is irreducible to the self begins to come into focus e-e-e-e and a way of expressing this is to say e-e-e-e which is perhaps in some way or another a mask or a simulacrum of he-he-he-he.
  不可复归的自我开始显先出来，一种表示此情况的方法是说，这可能是，he-he-he-he的，某种面具或者成像。